Photo Essays
2 MIN READ
Where there were walls, there are no walls.
Home is something that excites me on a different level. The idea of a space of a person and the energy they have within a place is worth exploring. The reason for people to feel the best at their homes is because they have a safe place to reside. The reality of losing one's place is so strong that it becomes difficult to accept and embrace the present. There is a sense of fleeting uneasiness when I think about destruction, changes and most importantly, losing something. "Every day was poetry" is my expression of showing layers of presence that is precious and important in a place that is destroyed, deserted and lonely. This is my aim to present my inner feelings in combination with those who owned that space. I am questioning the existence of an object or a feeling that still holds its essence in the so called leftovers. These homes have their outer shell removed and the insides still there, intact. The most I can do by looking at it is to appreciate whatever remains and feel this space in ways I can feel my own.
The place I went to was Dali and this story is about the houses near one of the famous lakes in Dali called the "Erhai" lake. The government of China is destroying the houses that were spread a hundred and forty kilometers around the lake. Because of the pollution in the lake, the government wants the houses to be removed. Since this rule was never applied before, all of the houses were on the lake itself. This is the reason why most of them had to lose their houses and businesses.
I started with one house to just see what is left and I couldn't stop doing this so I walked all around the lake to get an understanding of what's happening. The story is more about the place and the reality that still exists in contrast. The name "Everyday was poetry" was handwritten on one of the houses I visited.
"Every day was Poetry" was produced during the International Storytelling Workshop in Kunming, China, in March 2019. The workshop is a collaboration between Photo Circle -Nepal, Pathshala South Asian Media Institute- Bangladesh, Oslo Metropolitan University-Norway and Mino Art Center- China.
Shradha Devkota Shradha Devkota is a visual artist based in Kathmandu, Nepal. She is a fine arts graduate from Kathmandu University School of Arts. Besides capturing stories through her lens, she also illustrates and paints.
Culture
Features
8 min read
An ethics of mutual learning and openness has to develop around commission-based projects led by urban artists but oriented toward local rural communities.
Books
Culture
11 min read
An 11-year-old reads six recently published children’s books and reviews them on her own terms.
Culture
Books
6 min read
In his new book, writer Thomas Bell peels back Kathmandu's many layers for an intimate look at our capital city
Culture
Perspectives
11 min read
Ranging from the deeply spiritual to playful, cheeky and contemplative, Ang Tsherin Sherpa’s work is innocent, full of sincere feeling, but also tongue-in-cheek.
Features
4 min read
Dead stray animals on the streets of Kathmandu are disposed of by local authorities, but in congested Kathmandu, there is limited burying space and it is being reused.
Features
13 min read
A collective effort by activists, historians, journalists, and curators has resulted in the return of stolen Nepali artifacts from foreign lands, but constant vigilance is still necessary.
Perspectives
5 min read
A retrospective of the KU School of Arts’ BFA final year exhibition and all that it portends and speaks to.
Features
7 min read
Amid a proliferation of cheap, fast fashion clothing, young Nepalis are turning to conscious clothing and shopping for second-hand apparel.